Bobby Deol

I have realized that most people here are hypocrites. They are sweet to you on your face. But the moment your back is turned, they start bitching about you.
(Filmfare Online, Oct. 1999)

Son of screen legend Dharmendra, brother of actor Sunny Deol and actress Esha, Bobby Deol has walked a rocky road to success in spite of his family connections.

Bobby Deol    It was perhaps inevitable that the brother of Sunny Deol would be typecast as an action hero. Though Bobby has tried to expand his repertoire with romantic leads in Kareeb, Dillagi, and Hum to Mohabbat Karega, the films’ poor returns have prompted him to return to his forte as the Bichhoo- and Badal-style tough guy.

   However, despite his success in those films, the media has been reluctant to promote him, perhaps because Bobby gives them so little to write about. Though he will gladly wax poetic on his love for wife Tania, he steadfastly refuses to discuss more controversial issues pertaining to his personal life — like his recent quarrel with Kareena Kapoor.

    Apparently on the sets of their film Ajnabee, Bobby’s wife helped co-star Bipasha Basu with her wardrobe. In an industry where heroines more often view each other as competition than friends, Kareena, whose family has long been friendly with the Deols, considered Tania’s act tantamount to betrayal.

   Kareena’s own tale differs slightly from the gossip: “Actually, there was a problem with his wife. She didn’t behave properly with my mother. And I didn’t like that.” (Filmfare, March 2002) Whatever the exact cause may be, the two are not speaking, and Kareena’s sister Karisma, who heretofore considered Bobby a close friend, has apparently sided with her sister, giving the Deols the cold shoulder. In turn, Bobby fields questions about the incident with vocal displeasure over Kareena’s decision to talk about it to the press. Beyond that, he will not comment.

    He refuses to apologize for his obvious distrust of the press, and attributes his wariness to past experiences with both journalists and co-stars. “I have changed a lot [since getting into this business]. I have realized that most people here are hypocrites. They are sweet to you on your face. But the moment your back is turned, they start bitching about you. Initially I used to get hurt by all this but now I’m learning to be indifferent. I enjoy my work and I keep to myself. I know now that every person I meet is not my genuine well-wisher or my friend. So I am learning to be friendly but not trusting.” (Filmfare, Oct. 1999) As a result, his work must speak for itself.

Bobby Deol
real name: Vijay Singh Deol
born: January 27, 1967 (or ’69)
height: 6′

1995 Barsaat
1997 Aur Pyar Ho Gaya
1997 Gupt*
1998 Kareeb
1998 Soldier*
1999 Dillagi
2000 Badal*
2000 Bichhoo*
2000 Hum to Mohabbat Karega
2001 Aashiq
2001 Ajnabee*
2002 Humraaz*
2002 Kranti
2002 23rd March 1931: Shaheed
2002 Chor Machaye Shor
2004 Ab Tumhare Hawale Watan Saathiyo
2004 Bardaasht
2004 Kismat
* acclaimed performance

Fardeen Khan

“I’m old enough to know what I’m doing. It’s not that I do things without thinking. I broke the law, I got caught,
I paid the price for it but now I’ve got to move on.”
(Hindustan Times, June 15, 2001)

Fardeen KhanSon of actor and producer Feroze Khan, Fardeen is a relative newcomer whose performances have impressed women…er, make that ‘people’… everywhere. But he has also played a starring role in one of the biggest scandals to date.

    Arrested in 2001 by the Mumbai police for possession of 9 grams of cocaine, Fardeen has been quick to admit his mistake. Though he reportedly explained to friends that he used cocaine to handle the stress of his up-and-coming film career, he boldly shuns excuses when talking to the media: “We’re all old enough and smart enough to know what we’re doing. If you get caught, you get caught. If it was not today it could have been another day. That’s it.” (Hindustan Times, 6/15/01)

   Certainly the arrest has not impaired his love life. Since breaking off an engagement to longtime girlfriend Ruhin, he has been linked with several co-stars, most notably Amrita Arora, younger sister of Malika Arora, who is sister-in-law to Salman Khan.

Fardeen Khan
born: March 8, 1974
height: 6′

1998 Prem Aggan
2000 Jungle*
2001 Hum Ho Gaye Aapke
Love Ke Liye Kuch Bhi Karega
2001 Pyaar Tune Kya Kiya*
2002 Kitne Door Kitne Paas
2002 Kuch Tum Kaho Kuch Hum Kahein
2003 Khushi
2004 Dev
2004 Fida
2004 Janasheen
* acclaimed performance

Govinda – The Chote Miyan

“These rumors are created by certain camps who have are not happy with my success. These people have enjoyed making me a victim of their vindictiveness for a long time. I do not want to belittle myself by lashing out at these people and giving them undue importance. I must say that I am upset and very disappointed with two of my female co-stars. I don’t want to name names, but I will say that I have no intention of working with them in the future.”
(Tatanova, March 1, 2001)

Son of playback singer Nirmala Devi, Govinda nevertheless hails from a middle class background , and still occasionally struggles with the industry’s chosen language of business — English. But contrary to expecation, his appeal isn’t limited to India: fans around the world call him the best comedian and perhaps the best all-around entertainer since Shammi Kapoor.

Govinda   Despite his family’s film background, Govinda couldn’t count on connections to pave his path to stardom. Nearly broke, traveling by rickshaw and dressed in “declasse” street wear, he literally pushed his way into films by hanging around the Rajshri Productions office until they caved to his appeals.

    Now he has a slew of comedic hits to his name, and his portfolio of work is staggering in length. Yet as his competitors Aamir and Shahrukh Khan branch out into more artistic cinema, some are beginning to fear that Govinda has typecast himself into an early career grave. Govinda himself ridicules the notion: “Asoka was made to bag the Oscar while the film which won the Oscar last year was Life is Beautiful, which, unlike Asoka, is my kind of film. Any sincere effort will receive acclaim somewhere. Of course, improvement is a must. One must constantly improve!” (Cineblitz, Mar. 2002)

   The less-than-flattering reference to Asoka as failed Oscar bait (which the Cineblitz journalist notes is spoken with obvious sarcasm) may reflect Govinda’s on-again, off-again war of words with Shahrukh Khan. Khan, in a March 2000 interview with Filmfare Online, explains the origin of the sniping: “I’d said something in English which was misunderstood by a certain segment of people around him. I’d said something on a show to the effect that ‘I can do what I do best. I cannot do what Govinda can do and perhaps Govinda can’t do what I can’. It did not mean that I will not do what Govinda does. I wish I could do what Govinda does. I wish I could put my lungi over my head and dance but I can’t do it. But it was quoted very differently. He told me also that his mother was very hurt because she felt I was saying that Govinda doesn’t do good things. I felt very bad about that. I didn’t know how to explain. I called him up and said, ‘Listen, please explain to your mom that I didn’t mean it this way.’ I just said that in English it sounds very different. That I can’t do what he does and maybe he can’t do what I do. It wasn’t meant to be that I will not do what he does. Or what he does is derogatory or bad. I guess that cleared it up. After that I’ve never had a misunderstanding with him.”

   Khan is not the only actor to have experienced misunderstandings with Govinda. He had a falling out with Salman Khan that was allegedly due to his displeasure at the prospect of Khan working with Rani Mukherjee, the actress with whom Govinda is rumored to be having an (extramarital) affair. Govinda denies that this was the cause: “It’s all bullshit! My misunderstanding with Salman was over a film that Arbaaz [Salman’s brother] and I were to star in, which has also been sorted out. There was no fight. Who am I to interfere with Rani’s life? She is a free individual and can work with whoever she wants. Besides, this story of my so-called affair with Rani has gone on for too long. I am really tired of it. Rani and I are just co-stars and good friends, whether the media likes to believe it or not!” (, Mar. 1, 2001)

   Amisha Patel, who has recently dropped out of two upcoming Govinda films, is also supposed to share cool vibes with the actor. When asked whether she hates him, he diplomatically replies, “There is nothing to like or dislike really. But yes, there is a desire to work with certain people… If this desire is missing at the other end, I realise it by a simple handshake. Yes, a mere handshake with my would-be co-star is enough for me to gauge how strongly s/he wants to work with me. I felt that Amisha didn’t want to work with me. But then she has a mind of her own and everyone is free to make their own choices.” (Cineblitz, Mar. 2002)

   Govinda has alienated newcomer Amrita Arora (sister-in-law of Salman Khan’s brother), who he replaced shortly before shooting was to begin on their film on the pretext that she looked too young for him. Amrita publicly replied that he looked too old for her, and that it was his loss for firing her. He obliquely responds, “It’s true, it is my loss. Besides the loss of doing a film with her there’s also the loss of respectability. Things should have been discussed at the onset itself and shouldn’t have been left to the last minute. All said and done, she is a newcomer and my best wishes are with her.” (Cineblitz, Mar. 2002)

   But the scandal that hit him hardest was being taken in for police questioning following the mafia-instigated Bombay riots of 1993.  Though, unlike Sanjay Dutt, he was not charged with a crime, he still dislikes talking about it. “These rumours about me being involved in underworld activities are baseless. Tell me, can I do something like that? I am a happy man, earning my bread and butter from acting in films. If you are talking about the photographs of mine with the underworldwallahs, so many people walk into the sets to have pictures taken. How will you know who is a member of the underworld? Please don’t talk about these matters.” (Rediff, Dec. 1997)

   Perhaps Govinda’s most famous asset is his dancing; choreographers like Farah Khan have praised his skill in film glossies and co-stars shudder at the challenge of matching his liquid grace. But not everyone is impressed. Renowed artist M.F. Husain, when discussing his obsession with Madhuri Dixit to Rediff in February 1999, explains, “See the way she moves, the way she dances. Compare it to Govinda. Whereas he looks coarse, vulgar, unbearable, she looks gorgeous, almost sacrosanct.” In his impolitic way, Husain has actually pinpointed Govinda’s appeal: instead of playing to the over-refined tastes of a pretentious elite, Govinda targets the group he himself hails from — the “common” masses.  And rightly, they love him for it.

born: December 21, 1963
height: 5′ 8″

1986 Ilzaam
1986 Love ’86
1986 Tan Badan
1987 Dadagiri
1987 Dariya Dil
1987 Mera Lahoo
1987 Pyar Karke Dekho
1988 Ghar Ghar Ki Kahani
1988 Hatya*
1988 Jeete Hain Shaan Se
1988 Pyar Mohabat
1988 Shiva Shakti
1988 Tohfa Mohabbat Ka
1989 Aakhri Baazi
1989 Asmaan Se Ooncha
1989 Biloo Badshah
1989 Do Qaidi
1989 Dost Garibon Ka
1989 Farz Ki Jung
1989 Gair Kanooni
1989 Gentleman
1989 Gharana
1989 Gola Barood
1989 Jaisi Karni Waisi Barni
1989 Jungbaaz
1989 Paap Ka Ant
1989 Sachai Ki Taqat
1989 Taaqatwar
1990 Apmaan Ki Aag
1990 Awaargi
1990 Bhabhi
1990 Izzatdaar
1990 Kali Ganga
1990 Karz Chukana Hai
1990 Kaun Kare Qurbani
1990 Mahasangram
1990 Mohabbat Ki Aag
1990 Naya Khoon
1990 Raaizaada
1990 Swarg
1990 Taqdeer Ka Tamasha
1991 Hum
1992 Baaz
1990 Jaan Se Pyaara
1990 Muqabla
1990 Naach Govinda Naach
1990 Radha Ka Sangam
1990 Shola Aur Shabnam
1990 Zulm Ki Hukumat
1993 Aadmi Khilona Hai
1993 Aankhen*
1993 Praktiksha
1993 Teri Payal Mere Geet
1993 Zakhmo Ka Hisaab
1994 Aag
1994 Andolan
1994 Beta Ho To Aisa
1994 Bhagaywan
1994 Brahma
1994 Dulaara
1994 Ekka Raja Rani
1994 Hathkadi
1994 Khuddar
1994 Prem Shakti
1994 Raja Babu
1995 Coolie No.1*
1995 Do Aankhen Baarah Haath
1995 Gambler
1995 Kismat
1995 Rock Dancer
1996 Apne Dam Par
1996 Chhote Sarkar
1996 Maahir
1996 Saajan Chale Sasural
1996 Zordaar
1997 Agni Chakra
1997 Deewana Mastana*
1997 Hero No. 1*
1997 Kaun Rokega Mujhe
1997 Loha
1998 Achanak
1998 Aunty No. 1
1998 Bade Miyan Chote Miyan
1998 Banarasi Babu
1998 Dulhe Raja*
1998 Junglee
1998 Maharaja
1998 Naseeb
1998 Pardesi Babu
1999 Anari No. 1*
1999 Haseena Maan Jayegi
1999 Hum Tum Pe Marte Hain
1999 Rajaji
2000 Beti No. 1
2000 Hardh Kar Di Aapne
2000 Jis Desh Mein Ganga Rehta Hai
2000 Joru Ka Ghulam
2000 Kunwara
2000 Shikari
2001 Aamdani Atthani Kharcha Rupaiya
2001 Albela
2001 Censor
2001 Chalo Ishq Ladaye
2001 Dil Ne Phir Yaad Kiya
2001 Jodi No. 1*
2001 Kyonki Main Jhoot Nahin Bolta

2002 Pyaar Deewana Hota Hai
2003 Ek Aur Ek Gyaarah
2003 Chalo Ishq Ladaye
2003 Khullam Khula Pyaar Karen
2003 Waah! Tera Kya Kehna
* acclaimed performance

Aamir Khan Biographies !!

“This is a false allegation [that I interfere with directors’ work]. This is very unfair. I am not interfering at all. I do ask questions which some people may not be very comfortable with but I have a right to find out details about the role I play. Don’t I? Some directors may not know their job well and put the blame on poor actors. ”
(Hindustan Times)

His perfectionist tendencies and his unusual work habit — shooting only one film at a time, in an industry where most actors bounce back and forth between several sets — once made Aamir Khan a controversial curiosity. But now his debut production and star vehicle LAGAAN has garnered an Oscar nomination, Khan’s example may change the way Bollywood works.

Aamir Khan    Not that Aamir is a stranger to success. His first leading role, as the doomed Romeo in 1989’s Qayamat Se Qayamat Tak, shot him to instant fame. The film also singlehandedly pushed Bollywood from a decade of action-packed thrillers into the romance-heavy 1990s. But not all has been fairy tale in this actor’s life.

   On the personal front, Aamir has suffered public estrangements from his nearest family members. In December 2002, he and his wife of sixteen years filed for divorce, lending credence to persistent rumors that Aamir had become romantically entangled with Preity Zinta after starring opposite her in the 2001 hit Dil Chahta Hai. Former rumored liaisons had included Pooja Bhatt, his co-star in Dil Hai Ke Manta Nahin, but previously few had credited such stories.

   In July 2000, Aamir also became estranged — in a very public way — from his father, director Tahir Hussain Khan. Aamir’s lawyer posted a notice in several trade magazines severing any professional ties between the actor and his father. The notice warned that “Mr. Aamir Khan, a cine artiste, is not associated with the business of production of cinematographic films of his father Mr. Tahir Hussain Khan…” and that anyone who got involved in Tahir’s company “shall do so at his own risk and my client shall not be liable for any such dealings.” ( The rumor mill said the break came due to Aamir’s disapproval of his father’s involvement with Divya Palat, a much younger actress whose work Tahir intended to showcase with his production company. Others claimed Aamir was reacting to news that his father had been raising funds by trading on his son’s name and reputation. Either way, the notice did little to help father-son relations.

   On another front, Aamir has also endured flak from directors with styles incompatible with his own. It is widely known that Yash Chopra, the legendary director and producer of dozens of Bollywood blockbusters, originally preferred Aamir over Shahrukh Khan for the role of villain in 1993’s smash hit DARR. But as Aamir recalls in an interview with India Bollywood, “I didn’t do Darr because Yashji was playing games. He was narrating one thing to me and quite another to Sunny Deol, which I got to know. I knew all along that it was Sunny and not me who was being taken for a ride. I didn’t want to be party to the whole thing.”

   In an April 1997 interview with Rediff, Aamir elaborates on the issue in response to the journalist’s comment that “Yash Chopra accuses you of wanting to know exactly how many punches you would give Sunny and vice versa when you were supposed to do the role Shahrukh Khan eventually did in Darr.”  Aamir explains, “In the first narration [Yash Chopra] told me that Sunny (Deol) and I would fight but it would be Juhi (the woman whom I was obsessed with and harassing) who would kill me. That was poetic justice. Then I came to know that he had narrated a different climax to Sunny in which Sunny would kill me. So I asked for a joint narration. I was concerned about my screen image. I was certainly not going to be beaten up by a regular hero in a regular commercial film. See, I didn’t mind being beaten up by Deepak Tijori in Jo Jeeta Wohi Sikandar because that was a different kind of film. But if you have a casting coup like Sunny and me then I certainly don’t want to be beaten up by him or even Arnold Schwarzenegger for that matter. Is there anything wrong with that? When Yashji told me it would be an equal fight in the climax I asked him what he meant by that and he said both of us would have an equal number of punches. These were his words, said in the presence of cameraman Manmohan Singh and scriptwriter Honey Irani. In any case it made more sense to have a heroine who has been terrorised all along killing her tormentor. Yashji has also said that I had second thoughts about playing a negative role. Far from it… in fact, I would not have glamorised the role the way it was done in the film if I had done it. The character had a mental problem and it should have been played accordingly.”  (Hmm, maybe Aamir has a problem with Shahrukh, too?)

Mahesh Bhatt, another powerful director, also rubs Aamir the wrong way.

   Q: Mahesh Bhatt has taken offence to your habit of providing inputs. He says your penchant for perfection borders on madness.

   A: Well, that is his opinion. None of my other directors feel that way. If you want a conclusive opinion, you must ask the twenty directors I’ve worked with. I’m sure nineteen out of them don’t feel the way Bhatt does. I personally feel he’s extremely careless as [when] a director takes money to direct a film, the first thing that he does is to get a script. Then he collects the cast and crew. Then he schedules and shoots the film. He also chooses the songs and does the post-production work. Mahesh Bhatt doesn’t do any of these things. He just takes the money and goes home! It’s ridiculous! That’s why I told Mahesh Bhatt that I won’t do Ghulam with Mahesh Bhatt. There was no director! If [I] really wanted to practise backseat direction on Ghulam, with Mahesh Bhatt directing the film, it would have been the ideal situation to do so. I’m not interested in doing that. (India Bollywood)

And Aamir’s success in Ram Gopal Varma’s romantic drama Rangeela will not lead to another Varma-Khan film. Aamir says of his former director, “I can’t trust him as a director or a person any more. I prefer to stay away from him. During the making of Rangeela, we interacted very strongly. In fact, he claimed I was responsible for the way the script turned out. When the film got over, for some reason, he started taking off on me. Just two days before the film’s release, at a party, he was full of gratitude about how much I had contributed to Rangeela. He got very emotional, and I wasn’t comfortable with that. The next thing I heard – he was trying to take away from my work in Rangeela. That surprised and hurt me. Then in an interview he said certain things which I’m sure he couldn’t have said. Ramu was trying to pull away the press from me and put it squarely on his own shoulder.” (India Bollywood)

   Still, with Lagaan only the third Indian film to be nominated for an Oscar (and only the second to feature songs and dances typical of Bollywood fare), Khan may find a whole new realm of directors to choose from — in Hollywood. The loss would surely grieve fans of Hindi cinema, who treasure Aamir as one of the best actors the industry has ever seen.

Aamir Khan
born: March 14, 1965
height: 5′ 6″ (or 7″)

1973 Yaadon Ki Baaraat
1974 Madhosh
1984 Holi
1988 Qayamat Se Qayamat Tak*
1988 Raakh
1989 Love Love Love
1989 Tum Mere Ho
1990 Awwal Number
1990 Deewana Mujh Sa Nahin
1990 Dil
Jawani Zindabad
1991 Afsana Pyar Ka
1991 Dil Hai Ki Manta Nahin*
1992 Daulat Ki Jung
1992 Is Ka Naam Zindagi
1992 Jo Jeeta Wohi Sikander*
1992 Parampara
1992 Hum Hain Rahi Pyar Ke*
1992 Pehla Nasha
1994 Andaz Apna Apna*
1994 Baazi
Aatank Hi Aatank
1995 Akele Hum Akele Tum*
1995 Rangeela*
1996 Raja Hindustani*
1997 Ishq
1998 Earth (1947)*
1998 Ghulam*
1999 Mann*
1999 Sarfarosh*
2000 Mela
2001 Lagaan*
* acclaimed performance